Publications
- Schwanecke, C. (2017). Mobile people, weapons, and data streams; mobile audiences and theatre spaces : Rimini Protokoll's Situation rooms as a globalised theatre experience. Journal of Contemporary Drama in English, 5, 358-371.
- Lusin, C. and Schwanecke, C. (2018). Women in men's shoes : 'sheroes' in literatures and cultures of the British Isles, the Commonwealth and beyond. In , Anglistentag 2017 Regensburg : proceedings (S. 183-187). Proceedings of the Conference of the German Association of University Teachers of English, WVT, Wissenschaftlicher Verlag Trier: Trier.
- Schwanecke, C. (2018). Exploring fragile relationships in the twenty-first century : love and marriage in David Nicholl's One Day (2009) and Mark Haddon's The Read House (2012). In The British novel in the twenty-first century : cultural concerns – literary developments – model interpretations (S. 173-185). Trier: WVT, Wissenschaftlicher Verlag Trier.
- Schwanecke, C. (2017). Data streams, post-human lives, and (virtual) realities : Jules Horne's Gorgeous Avatar (2006). In Finance, terror, and science on stage : current public concerns in 21st-century British drama (S. 145-165). Tübingen: Narr Francke Attempto.