- Anglistisches Seminar
- Studium
- Forschung
- Abteilungen
Forschung
Forschungsprojekte und Kooperationen
- Universität Gießen
Veröffentlichungen
- Schwanecke, C. (2017). Mobile people, weapons, and data streams; mobile audiences and theatre spaces : Rimini Protokoll's Situation rooms as a globalised theatre experience. Journal of Contemporary Drama in English, 5, 358-371.
- Schwanecke, C. (2016). Theatre, narrative, and cultural change on the early modern stage : Richard Brome's A jovial crew (1641/2) at the dawn of the English Civil War. REAL : yearbook of research in English and American literature, 32, 145-167.
- Berning, N., Nünning, A. und Schwanecke, C. (2015). (Trans-)national criteria, norms and standards in literary studies : a comparative analysis of criteria-based 'ex ante' evaluation forms of funding proposals in the humanities. Germanisch-romanische Monatsschrift : GRM, 65, 115-135.
- Lusin, C. und Schwanecke, C. (2018). Women in men's shoes : 'sheroes' in literatures and cultures of the British Isles, the Commonwealth and beyond. In Zwierlein, A., Anglistentag 2017 Regensburg : proceedings (S. 183-187). Proceedings of the conference of the German Association of University Teachers of English, WVT, Wissenschaftlicher Verlag Trier: Trier.
- Berning, N., Nünning, A. und Schwanecke, C. (Hrsg.) (2014). Reframing concepts in literary and cultural studies : theorizing and analyzing conceptual transfers. Trier: WVT, Wissenschaftlicher Verlag Trier.
- Schwanecke, C. (2018). Exploring fragile relationships in the twenty-first century : love and marriage in David Nicholl's One Day (2009) and Mark Haddon's The Read House (2012). In Nünning, V. The British novel in the twenty-first century : cultural concerns - literary developments - model interpretations (S. 173-185). Trier: WVT, Wissenschaftlicher Verlag Trier.
- Schwanecke, C. (2017). Data streams, post-human lives, and (virtual) realities : Jules Horne's Gorgeous Avatar (2006). In Frank, K. Finance, terror, and science on stage : current public concerns in 21st-century British drama (S. 145-165). Tübingen: Narr Francke Attempto.
- Nünning, A. und Schwanecke, C. (2015). The performative power of unreliable nNarration and focalisation in drama and theatre : conceptualising the specificity of dramatic unreliability. In Nünning, V. Unreliable narration and trustworthiness : intermedial and interdisciplinary perspectives (S. 189-219). Berlin: de Gruyter.
- Schwanecke, C. (2015). 'Ein Bild sagt mehr als tausend Worte' : Sympathielenkung in Leanne Shaptons literarischem Fotoexperiment. In Lusin, C. Empathie, Sympathie und Narration : Strategien der Rezeptionslenkung in Prosa, Drama und Film (S. 193-205). Heidelberg: Winter.
- Schwanecke, C. (2015). Filmic modes in literature. In Rippl, G. Handbook of intermediality : literature - image - sound - music (S. 268-286). Berlin: De Gruyter.
- Berning, N., Nünning, A. und Schwanecke, C. (2014). Unpacking 'Traveling Concepts' and Introducing the Notion of Reframing, or: How to Work with Concepts and Come to Terms with Conceptual Transfers. In Berning, N. Reframing concepts in literary and cultural studies : theorizing and analyzing conceptual transfers (S. 1-35). Trier: WVT, Wissenschaftlicher Verlag Trier.
- Schwanecke, C. (2014). Exploring the Intersection of Space and Experience : An Introduction. In Berning, N. Experiencing space - spacing experience : concepts, practices, and materialities (S. 1-19). Trier: WVT.
- Schwanecke, C. (2014). Intertextuality & Intermediality : Where Literature Meets Literature and/
or other Media - Or, A Get-together of Lizzie Bennet, Bridget Jones, and Keira Knightley. In Nünning, A. Key concepts and new topics in English and American studies (S. 283-300). Trier: WVT, Wissenschaftlicher Verlag Trier. - Schwanecke, C. (2014). The Metaphorical Concept of Reframing : Its History, Problems and Heuristic Value. In Berning, N. Reframing concepts in literary and cultural studies : theorizing and analyzing conceptual transfers (S. 39-53). Trier: WVT, Wissenschaftlicher Verlag Trier.