Forschung
Forschungsschwerpunkte
- Transformationen von Subjektivität im digitalen Zeitalter (z.B. Quantified Self)
- USamerikanische Wissenskulturen und –theorien (z.B. Transzendentalismus, Pragmatismus, Komplexitäts- und Netzwerktheorie)
- Posthumanismus
- Transnationale Amerikastudien
- Critical Race Studies
- Post/
Individualismus – Die USA im globalen Kontext - Scheitern als Chance: Kulturwissenschaftliche Perspektiven auf Scheitern
- Ökokritik
- Literatur, Musik, Wissen
Abgeschlossene Projekte
Quantified Self
Probing the Limits of the Quantified Self. Read more here
Veröffentlichungen
Lehrstuhl Anglistik III
- Reichardt, U. (2019). An interview with Jules Chametzky. Amerikastudien : AmST = American Studies, 64, 435–454.
- Benz, S. (2018). „Sing[ing] of the middle way:" Michael McClure’s venture for a new mode of thought between natural science and mysticism. Current Objectives in Postgraduate American Studies : COPAS, 19, 1–24.
- Benz, S. (2018). The new materialist ethics of Michael McClure. Antennae : The Journal of Nature in Visual Culture, 46, 5–16.
- Motyl, K. und Arghavan, M. (2018). Writing against neocolonial necropolitics: literary responses by Iraqi/
Arab writers to the US ‘War on Terror’. European Journal of English studies : EJES, 22, 128–141. - Reichardt, U. (2018). Self-observation in the digital age: The quantified self, neoliberalism, and the paradoxes of contemporary individualism. Amerikastudien : AmST = American Studies, 63, 99–117.
- Dorson, J. und Schober, R. (2017). Introduction. Studies in American Naturalism, 12, 1–8.
- Gamböck-Strätz, J. (2017). The ordeal of labor and the birth of robot fiction. Amerikastudien : AmST = American Studies, 62, 633–648.
- Gamböck-Strätz, J. (2017). The struggle of being alive : laboring bodies in Paolo Bacigalupi's The windup girl. Current Objectives in Postgraduate American Studies : COPAS, 18, 1–21.
- Reichardt, U. (2017). Counting success and measuring value: money, numbers and abstraction in Theodore Dreiser's Sister Carrie. Studies in American Naturalism, 12, 89–104.
- Schober, R. (2017). „A problem in small boat navigation“: Ocean metaphors and emerging data epistemology in Stephen Crane's „The Open Boat“ and Jack London's „The Heathen“. Studies in American Naturalism, 12, 70–88.
- Schober, R. (2017). Between nostalgic resistance and critical appropriation : contemporary fiction on/
of the information age and the potentials of (post)humanist narrative. Amerikastudien : AmST = American Studies, 61, 359–379. - Steinhilber, D. (2017). The perils of self-consciousness : Heinrich von Kleist's 'Über das Marionettentheater' in David Forster Wallace's Infinite Jest. Critique : Studies in Contemporary Fiction, 58, 548–557.
- Danter, S. (2016). Posthumane Autonomie: Natur- und Kulturgewalt im Naturalismus und Stephen Cranes 'The Red Badge of Courage'. Philologie im Netz : PhiN, Beih., 42–60.
- Danter, S., Reichardt, U. und Schober, R. (2016). Theorizing the quantified self : self-knowledge and posthumanist agency in contemporary US-American literature. Digital Culture & Society, 2, 53–70.
- Fehrle, J. (2016). „Zombies don't recognize borders“ : capitalism, ecology, and mobility in the zombie outbreak narrative. Amerikastudien : AmST = American Studies, 61, 527–544.
- Fehrle, J. (2016). Giocando con il Cuore di tenebra : adattare Conrad/
Coppola. Acoma : rivista internazionale di studi nordamericani, 23, 218–235. - Grewe-Volpp, C. (2016). Einleitung. Philologie im Netz : PhiN. Beiheft, 10, 1–8.
- Grewe-Volpp, C. (2016). Making love to whale and bear : human-animal relationships in Zakes Mda's The whale caller and Marian Engel's Bear. Anglistik, 27, 71–83.
- Koschorreck, M. (2016). Analyzing the network oft traumas in Colum McCann's Let the great world spin. Current Objectives in Postgraduate American Studies : COPAS, 17, 1–21.
- Reichardt, U. (2016). Ich messe, also bin ich? Forum : das Magazin von Absolventum und der Universität Mannheim, 2016, 45–45.
- Schober, R. (2016). Between nostalgic resistance and critical appropriation : Contemporary American fiction on/
of the information age and the potentials of (post)humanist narrative. Amerikastudien : AmST = American Studies, 61, 359–357. - Fehrle, J. (2015). And I would call it „A Southern“ : renewing/
obscuring the Blaxploitation Western. Safundi : the journal of South African and American studies, 16, 291–306. - Fehrle, J. (2015). Gaming into the Heart of Darkness : adapting Conrad/
Coppola. South Atlantic review : SAR, 80, 234–253. - Fehrle, J. (2015). Leading into the franchise : remediation as (simulated) transmedia world ; the case of Scott Pilgrim. Image : Zeitschrift für interdisziplinäre Bildwissenschaft, 21, 4–16.
- Reichardt, U. (2015). The network as a category in cultural studies and as a model for conceptualizing America. Amerikastudien : AmST = American Studies, 60, 17–35.
- Reichardt, U., Schäfer, H. und Schober, R. (2015). Introduction: Network theory and American studies. Amerikastudien : AmST = American Studies, 60, 11–15.
- Schober, R. (2015). America as network : Notions of interconnectedness in American transcendentalism and pragmatism. Amerikastudien : AmST = American Studies, 60, 97–119.
- Reichardt, U. (2014). „Wir müssen global denken“. Forum : das Magazin der Universität Mannheim, 2014, 14–15.
- Schober, R. (2014). The world wide sea : oceanic metaphors, concepts of knowledge, and transnational America in the Information Age. Review of international American studies : RIAS, 7, 9–34.
- Schober, R. (2014). Transcending boundaries : the network concept in nineteenth-century American philosophy and literature. American Literature, 86, 493–521.
- Schober, R. (2012). „It’s about being connected“: Reframing the network in Colum McCann’s post 9/
11 novel Let the Great World Spin. Zeitschrift für Anglistik und Amerikanistik : ZAA, 60, 391–402. - Grewe-Volpp, C. (2010). Greening across borders – introduction. Ecozon@ : European Journal of Literature, Culture and Environment, 1, 1–7.
- Grewe-Volpp, C. (2009). Lifeshaping a New Planet. Tamkang Review, 39, 27–38.
- Kucharzewski, J. (2008). 'From language to life is just four letters': self-referentiality vs. the reference of self in Richard Powers's Galatea 2.2. Amerikastudien : AmST = American Studies, 53, 171–187.
- Kucharzewski, J. (2004). There is no 'there' there: Gertrude Stein and quantum physics. Amerikastudien : AmST = American Studies, 49, 499–513.
- Grewe-Volpp, C. (2002). The Ecological Indian vs. the Spiritually Dead White Man: The Function of Ethnocentric Notions in Linda Hogan's Solar Storms. Amerikastudien : AmST = American Studies, 47, 269–283.
- Reichardt, U. (2002). „Contract, Transgression, and Public Confession in American Culture from Puritanism to the Present, with a Look at Hawthorne's The Scarlet Letter and its Most Recent Film Version“. Zeitschrift für Anglistik und Amerikanistik : ZAA, 49, 317 – 330.
- Reichardt, U. (2000). Time and the African American Experience: The Problem of Chronocentrism. Amerikastudien : AmST = American Studies, 45, 465–484.
- Reichardt, U. und Sielke, S. (1998). What does man want? The recent debates on manhood and masculinities. Amerikastudien : AmST = American Studies, 43, 563–575.
- Reichardt, U. (1997). Perceiving and representing slavery and „race“ through time: William Faulkner's Absalom, Absalom!. Amerikastudien : AmST = American Studies, 42, 613–624.
- Reichardt, U. (1991). Poststrukturalismus und der new historicism: Geschichte(n) und Pluralität. Arbeiten aus Anglistik und Amerikanistik : AAA, 16, 205–223.
- Reichardt, U. (1990). Umgangssprache und Alltagsmythen in John Ashberys Dichtung: Spiel oder Kritik? Arbeiten aus Anglistik und Amerikanistik : AAA, 15, 39–50.
- Reichardt, U. und Schober, R. (Hrsg.) (2020). Laboring bodies and the quantified self. Bielefeld: transcript.
- Arghavan, M., Hirschfelder, N., Kopp, L. und Motyl, K. (Hrsg.)
(2019). Who can speak and who is heard/
hurt? : facing problems of 'race', racism and ethnic diversity in the humanities in Germany. Bielefeld: transcript. - Schober, R. und Motyl, K. (Hrsg.) (2017). The failed individual : amid exclusion, resistance, and the pleasure of non-conformity. Frankfurt a. M. ; New York: Campus Verlag.
- Kucharzewski, J. D. und Kley, A. (Hrsg.) (2012). Ideas of order: narrative patterns in the novels of Richard Powers. Heidelberg: Universitätsverlag Winter.
- Fluck, W., Motyl, K., Pease, D. E. und Raetzsch, C. (Hrsg.) (2011). States of emergency – states of crisis : [International Graduate Conference „States of Emergency: Interdisciplinary Perspectives on the Dynamics of Crisis“ ... Berlin in June 2010]. Tübingen: Narr.
- Kucharzewski, J. (2011). Propositions about life : reengaging literature and science. Heidelberg: Universitätsverlag Winter.
- Schober, R. (2011). Unexpected Chords : Musico-Poetic Intermediality in Amy Lowell’s Poetry and Poetics. Heidelberg: Universitätsverlag Winter.
- Reichardt, U. (2010). Globalisierung : Literaturen und Kulturen des Globalen. Berlin: Akad.-Verl.
- Kucharzewski, J. D., Schäfer, S. und Schowalter, L. (Hrsg.) (2009). “Hello, I say, it’s me”: contemporary reconstructions of self and subjectivity , ; [Konferenz "„Hello, I say, it's me“: (re)constructions of subjectivity in contemporary literature and culture“, 4./5. 4.2008, Düsseldorf]. Trier: Wissenschaftlicher Verlag Trier.
- Raussert, W. und Jones, J. M. (Hrsg.) (2008). Traveling sounds : music, migration, and identity in the U.S. and beyond. Münster: LIT.
- Devine, M. und Grewe-Volpp, C. (2008). Words on Water: Literary and Cultural Representations. Trier: Wiss. Verl.-Ges.
- Reichardt, U. (2008). Die Vermessung der Globalisierung : Kulturwissenschaftliche Perspektiven. Heidelberg: Winter.
- Grewe-Volpp, C. und Reinhart, W. (Hrsg.) (2003). Erlesenes Essen : literatur- und kulturwissenschaftliche Beiträge zu Hunger, Sattheit und Genuss; für Ulrich Halfmann. Tübingen: Narr.
- Kley, A. (2001). „Das erlesene Selbst“ in der autobiographischen Schrift : zu Politik und Poetik der Selbstreflexion bei Roth, Delany, Lorde und Kingston. Tübingen: Narr.
- Reichardt, U. (2001). Alterität und Geschichte : Funktionen der Sklavereidarstellung im amerikanischen Roman. Heidelberg: Universitätsverlag Winter.
- Reinhart, W. (2001). Pikareske Romane der 80er Jahre : Ronald Reagan und die Renaissance des politischen Erzählens in den USA (Acker, Auster, Boyle, Irving, Kennedy, Pynchon). Tübingen: Narr.
- Braß, C. und Kley, A. (1997). „Will the Parts Hold?“ : Erinnerung und Identität in Toni Morrisons Romanen Beloved und Jazz ; zwei Thesen. Tübingen: Narr.
- Reinhart, W. (1997). Literarischer Wahn : Studien zum Irrsinnsmotiv in der amerikanischen Erzählliteratur, 1821-1850. Tübingen: Narr.
- Reichardt, U. (2022). Sentience, artificial intelligence, and human enhancement in US-American fiction and film: Thinking with and without consciousness. In Artificial intelligence and human enhancement (S. 225–236). Berlin: De Gruyter.
- Reichardt, U. (2022). Shostakovich, totalitarianism, and Anglo-American fiction: Powers, Parnes, and Vollmann. In The public mind and the politics of postmillennial U.S.-American writing (S. 49–70). Berlin: De Gruyter.
- Gamböck-Strätz, J. (2020). Subverting late capitalist comfort : Affective connections in Deepak Unnikrishnan's Temporary People. In Comfort in contemporary culture : the challenges of a concept (S. 133–148). Bielefeld: transcript.
- Reichardt, U. (2020). Reconsidering agency and choice: The office, the wall, and the tax code (Herman Melville, „Bartleby“ and David Foster Wallace, The Pale King). In Laboring bodies and the quantified self (S. 41–59). Bielefeld: transcript.
- Arghavan, M., Hirschfelder, N. und Motyl, K. (2019). Who can speak and who is heard/
hurt? Facing problems of 'race', racism and ethnic diversity in the humanities in Germany: A survey of the issues at stake. In Who can speak and who is heard/ hurt? : facing problems of 'race', racism and ethnic diversity in the humanities in Germany (S. 9–42). Bielefeld: transcript. - Reichardt, U. (2019). African American music in the Americas: slavery, sounds, and forms of „knowledge“. In Sonic politics : music and the narration of the social in the Americas from the 1960s to the present (S. 44–50). London and New York: Routledge.
- Reichardt, U. (2019). Globalisierung und der transnational turn in der Literaturwissenschaft. In Handbuch Literatur und Transnationalität (S. 106–123). Berlin ; Boston: De Gruyter.
- Schober, R. (2019). Adaptation as connection: A network theoretical approach to convergence, participation, and co-production. In Adaptation in the age of media convergence (S. 31–54). Amsterdam: Amsterdam University Press.
- Schober, R. (2019). The books that count: Big data versus narrative in Robin Sloan's Mr. Penumbra's 24-Hour Bookstore and Joshua Cohen's Book of Numbers. In The printed book in contemporary American culture : medium, object, metaphor (S. 31–51). Cham: Palgrave Macmillan.
- Reichardt, U. (2018). Sklaverei, Freiheit und Eigentum: Zur Auseinandersetzung über die Sklaverei in der US-amerikanischen Literatur des 19. Jahrhunderts. In Sklaverei und Recht: Zwischen römischer Antike und moderner Welt : Referate des interdisziplinären Münchenwiler Seminars des Collegium generale der Universität Bern im Frühjahrssemester 2016 (S. 157–169). Bern: Haupt Verlag.
- Schober, R. (2018). Transcendentalism. In Walt Whitman in context (S. 189–197). Cambridge: Cambridge University Press.
- Fehrle, J. (2017). Destined to fail : cosmetic surgery, female body image, and Nathaniel Hawthorne's „The birth-mark“. In The failed individual : amid exclusion, resistance, and the pleasure of non-conformity (S. 99–118). Frankfurt ; New York: Campus-Verlag.
- Hamscha, S., Motyl, K. und Schober, R. (2017). Introduction: The failed individual. In The failed individual : amid exclusion, resistance, and the pleasure of non-conformity (S. 11–27). Berlin ; New York: Campus Verlag.
- Kucharzewski, J. (2017). „Somewhere out there is a true and living prophet of destruction: chaotic cartographies and eroding boundaries in Ethan and Joel Cohen’s No Country for Old Men. In Violence and open spaces : the subversion of boundaries and the transformation of the Western genre (S. 77–91). Heidelberg: Universitätsverlag Winter.
- Kucharzewski, J. (2017). If it bleeds, we can kill it: hunting and the regeneration of masculinity in Post-Vietnam American cinema. In Hunting without weapons : on the pursuit of images (S. 219–239). Berlin: DeGruyter.
- Motyl, K. (2017). Failed by the criminal justice system: The hyperincarceration of the black urban poor in the ‘War on Drugs’. In The failed individual : amid exclusion, resistance, and the pleasure of non-conformity (S. 163–186). Frankfurt a. M.: Campus.
- Motyl, K. (2017). Ralph Ellison, Invisible Man (1952). In Handbook of the American novel of the twentieth and twenty-first centuries (S. 278–293). Berlin: De Gruyter.
- Reichardt, U. (2017). Wall Street and representations of masculinity in contemporary American film and fiction. In Contemporary masculinities in the UK and the US : between bodies and systems (S. 219–232). Cham, Switzerland: Palgrave Macmillan.
- Schober, R. (2017). Failure blogs and the confessional self. In The failed individual : amid exclusion, resistance, and the pleasure of non-conformity (S. 375–392). Frankfurt ; New York: Campus Verlag.
- Grewe-Volpp, C. (2016). Ecofeminisms, the toxic body, and Linda Hogan's 'Power'. In Handbook of ecocriticism and cultural ecology (S. 208–225). Berlin: De Gruyter.
- Motyl, K. (2016). Der War on Drugs, die Hyperinhaftierung sozial schwacher Afroamerikaner und Perspektiven der Strafrechtsreform. In Von Selma bis Ferguson – Rasse und Rassismus in den USA (S. 191–213). Bielefeld: transcript.
- Reichardt, U. (2016). New York – global city? In New York, New York! : Urban spaces, dreamscapes, contested territories (S. 191–204). Frankfurt a. M.: Peter Lang.
- Fehrle, J. (2015). (Re)making men in the 1950s and 2000s : Delmer Daves's and James Mangold's 3:10 to Yuma. In Remakes and remaking : concepts – media – practices (S. 57–78). Bielefeld: transcript.
- Grewe-Volpp, C. (2015). Ökofeminismus und Material Turn. In Ecocriticism : eine Einführung (S. 44–56). Köln ; Weimar ; Wien: Böhlau.
- Kucharzewski, J. (2015). „You're gonna need a bigger boat“: Männlichkeit und Homosozialität. In Der Weiße Hai revisited : Steven Spielbergs JAWS und die Geburt eines amerikanischen Albtraums (S. 177–189). Berlin: Bertz + Fischer.
- Reichardt, U. (2015). Individualismus und kollektive Formen in globalen Medienwelten. In Total – Universalismus und Partikularismus in post_kolonialer Medientheorie (S. 315–328). Bielefeld: transcript.
- Reichardt, U. (2015). New formal languages : Frank O'Hara and John Ashbery. In A history of American poetry : contexts – developments – readings (S. 327–340). Trier: WVT, Wissenschaftlicher Verlag Trier.
- Grewe-Volpp, C. (2014). The machine in the indigenous garden : Leslie Marmon Silko's Gardens in the dunes. In Rereading the machine in the garden : nature and technology in American culture (S. 148–166). Frankfurt a. M. [u.a.]: Campus Verlag.
- Reichardt, U. (2014). American studies and globalization. In American studies today : new research agendas (S. 441–458). Heidelberg: Universitätsverlag Winter.
- Grewe-Volpp, C. (2013). „It's one hell of a mess in here“ : masculinity, the myth of the frontier, and the renunciation of the mother in Arthur Miller's Death of a salesman, David Mamet's American buffalo, and Sam Shepard's True west. In Post-World War II masculinities in British and American literature and culture (S. 129–142). Farnham [u.a.]: Ashgate.
- Grewe-Volpp, C. (2013). Keep moving : place and gender in a post-apocalyptic environment. In International perspectives in feminist ecocriticism (S. 221–234). New York, NY [u.a.]: Routledge, Taylor & Francis Group.
- Schober, R. (2013). Adaptation as connection: Transmediality reconsidered. In Adaptation studies : new challenges, new directions (S. 89–112). London [u.a.]: Bloomsbury.
- Grewe-Volpp, C. (2012). No environmental justice without social justice : a green postcolonialist reading of Paule Marshall's The chosen place, the timeless people. In Literature, ecology, ethics : recent trends in ecocriticism (S. 227–237). Heidelberg: Universitätsverlag Winter.
- Schober, R. (2012). Musik als Experiment : transmediale Verhandlungen in Amy Lowells imagistischer Lyrik. In Experimente in den Künsten : transmediale Erkundungen in Literatur, Theater, Film, Musik und bildender Kunst (S. 305–334). Bielefeld: transcript.
- Schäfer, H. (2012). The pursuit of happiness 2.0 : consumer genomics, social media, and the promise of literary innovation in Richard Powers' novel Generosity: an enhancement. In Ideas of order : narrative patterns in the novels of Richard Powers (S. 263–284). Heidelberg: Universitätsverlag Winter.
- Grewe-Volpp, C. (2011). „I hanker for greens:" Gender, Class, and Urban Natural Spaces in Tillie Olson's „Yonnondio“. In Umweltphilosophie und Landschaftsdenken im baltischen Kulturraum = Environmental philosophy and landscape thinking (S. 336–347). Tallinn: Underi ja Tuglase Kirjanduskeskus.
- Schäfer, H. (2011). The Cinema and Modernist Innovation: Serial Representation and Cinematic Immediacy Effects in Gertrude Stein’s Early Portraits. In The Visual Culture of Modernism (S. 169–183). Tübingen: Narr.
- Gernalzick, N. (2010). 'Iconizing': Madonna Ciccone and performance art. In American cultural icons : the production of representative lives (S. 209–230). Würzburg: Königshausen & Neumann.
- Schober, R. (2010). Das Konzept der Groteske bei Amy Lowell und Igor Strawinsky – Möglichkeiten einer intermedialen Literaturdidaktik im Fremdsprachenunterricht. In Der Einsatz von Musik und die Entwicklung von audio literacy im Fremdsprachenunterricht (S. 191–201). Frankfurt a. M. [u.a.]: Lang.
- Schober, R. (2010). Translating Sounds: Intermedial Exchanges in Amy Lowell's 'Stravinsky's Three Pieces „Grotesques“ for String Quartet'. In Media borders, multimodality and intermediality (S. 163–174). Basingstoke [u.a.]: Palgrave MacMillan.
- Grewe-Volpp, C. (2008). Jonathan Franzen, The Corrections. In Teaching Contemporary Literature and Culture ; Bd. 2: Novels ; Part 1 (S. 207–225). Trier: Wiss. Verl.-Ges.
- Jones, J. (2008). Preface: The new Beale Street Blues. In Traveling sounds : music, migration, and identity in the U.S. and beyond (S. 7–8). Münster: LIT.
- Reichardt, U. (2008). African American/
Caribbean Sounding Strategies and Cultural Globalization. In Traveling Sounds : Music, Migration, and Identity in the U.S. and Beyond (S. 61–74). Münster: LIT. - Reichardt, U. (2008). Europäische und amerikanische Dimensionen der Globalisierung in Europa. In Europa – Erzählen : zu Politik, Geschichte und Literatur eines Kontinents (S. 133–148). St. Ingbert: Röhrig.
- Reichardt, U. (2008). Globalisierung, Mondialisierung und die Poetik des Globalen. In Die Vermessung der Globalisierung : Kulturwissenschaftliche Perspektiven (S. 1–48). Heidelberg: Universitätsverlag Winter.
- Reichardt, U. (2008). Globalisierung, amerikanische (populäre) Musik und das Versprechen von Freiheit; Cage, Madonna, Rap. In Globaler Gesang vom Garten der Freiheit : anglo-amerikanische Populärmusik und ihre Bedeutung für die US-Außenpolitik (S. 103–116). Trier: WVT Wiss. Verl.
- Reichardt, U. (2008). Traumatic History in Black and White: William Faulkner and Toni Morrison. In Trauma et Texte (S. 123–132). Frankfurt a.M. [u.a.]: Lang.
- Reichardt, U. (2006). ...a space that is filled with moving: Amerikanische Literatur um 1900 und die Globalisierung (in) der Gegenwart. In Ex praeteritis praesentia: sprach-, literatur- und kulturwissenschaftliche Studien zu Wort- und Stoffgeschichten : Festschrift zum 70. Geburtstag von Theo Stemmler (S. 295–304). Heidelberg: Universitätsverlag Winter.
- Reichardt, U. (2006). American nervousness: Neurasthenie und die Neuformation von Genderrollen in den USA um 1900.
In Epochen/
Krankheiten : Konstellationen von Literatur und Pathologie (S. 145–158). St. Ingbert: Röhrig. - Reichardt, U. (2005). Interior and exterior spaces: Version of the self in the American novel around 1900. In Space in America : theory, history, culture (S. 341–355). Amsterdam [u.a.]: Rodopi.
- Reichardt, U. (2004). Space, nature, and landscape in recent theory and poetry. In Space – place – environment (S. 62–73). Tübingen: Stauffenburg-Verl.
- Grewe-Volpp, C. (2003). „Octavia Butler and the Nature-Culture Divide : An Ecofeminist Approach to the Xenogenesis-Trilogy“. Restoring the Connection to the Natural World: Essays on the African American Environmental Imagination.. In FORECAAST 10 (S. 149–173). Münster: LIT Verlag.
- Grewe-Volpp, C. (2003). 'There is no death that is not somebody's food' : Vom Essen und Gegessenwerden in der zeitgenössischen amerikanischen Lyrik. In Erlesenes Essen (S. 172–190). Tübingen: Narr.
- Reichardt, U. (2003). „Diaspora Studies and African Diaspora Culture in the Poetry of Derek Walcott and Edward Kamau Brathwaite. „Diaspora and Multiculturalism: Theoretical and Literary Essays.. In Cross Cultures 66 (S. 287 – 327). Amsterdam, New York: Rodopi.
- Reichardt, U. (2003). 'The Times' of the New World : A Time-Focused Approach to American Culture and Globalization. In REAL 19 (S. 247 – 266). Tübingen: Narr.
- Reichardt, U. (2003). Nature, Nation, Time, and American Poetry. In „Nature's Nation“ revisited : American concepts of nature from wonder to ecological crisis (S. 393–405). Amsterdam: VU University Press.
- Reichardt, U. (2003). The Dangers of Remembering: Sites and Temporalities of Memory in Faulkner's Light in August. In Sites of Memory in American Literatures and Cultures (S. 65–74). Heidelberg: Universitätsverlag Winter.
- Schäfer, H. (2003). 'Keeping Faith with the Land': Das dialogische Natur- und Kulturverständnis der amerikanischen Regionalistin Mary Austin.. In Übergänge: Lektüren zur Ästhetik der Transgression. (S. 49 – 76). Münster: LIT.
- Schäfer, H. (2003). Naturalized History? Mary Austin's Utopian Regionalism.. In Millenial Perspectives: Lifeworlds and Utopias. (S. 183 – 196). Heidelberg: Winter.
- Grewe-Volpp, C. (2002). „Das renaturierte Haus und die unbehauste Natur in Marilynne Robinsons Housekeeping“. In Frauenblicke, Männerblicke, Frauenzimmer / Fritsch-Rößler, Waltraud[Hrsg.] (S. 331 – 347). St. Ingbert: Röhrig.
- Grewe-Volpp, C. (2001). Das renaturierte Haus und die unbehauste Natur in Marilynne Robinsons Housekeeping. In Frauenblicke – Frauenzimmer -Herr-schaftsräume (S. ). Tübingen: Gunter Narr Verlag.
- Kley, A. (2001). A post-Stonewall Account of a pre-Stonewall Life: The Rhetorics of Sexuality in Samuel Delanys The Motion of Light in Water. In The Turbulent Decade: The American Sixties and their Legacy (S. ). München: Fink.
- Kley, A. (2001). I would have been an outlaw knotmaker: Gender, Genre und Ethnizität in Maxine Hong Kingstons The Woman Warrior. In Grenzüberschreibungen: Feminismus und Cultural Studies (S. ). Bielefeld: Aisthesis.
- Reichardt, U. (2001). „Time Passages: Transatlantic Modernism, William Faulkner, and New Western Literatures.“. In Transatlantic Modernism (S. 93–102). Heidelberg: Universitätsverlag C. Winter.
- Reinhart, W. (2001). Essensmotivik in Portnoy's Complaint und American Pastoral: Sexueller Akkulturationsdruck im Wer von Philip Roth. In Das Motiv des Essens in der amerikanischen Literatur: Festschrift für Ulrich Halfmann (S. ). Tübingen: Gunter Narr Verlag.
- Reinhart, W. (2001). Weibliche Utopie ohne Grenzen? Erfahrungsräume und Raumerfahrung in Marilynne Robinsons Housekeeping. In Frauenblicke – Fraunezimmer – Herr-schaftsräume (S. ). Tübingen: Gunter Narr Verlag.
- Kley, A. (2000). There is no place/
that cannot be home/ nor is : Constructions of 'home' in Audre Lorde's Zami : A New Spelling of my Name. In Holding Their Own (S. 119–139). Tübingen: Stauffenburg. - Reichardt, U. (2000). Alterity, the limits of identification, and the hazards of fiction: William Styron's „The confessions of Nat Turner“. In Making America: The cultural work of literature (S. 185–198). Heidelberg: Universitätsverlag Winter.
- Reichardt, U. (2000). Selbstreferenz, Emergenz und die Zeit der „Neuen Welt“: Zum Verhältnis von Philosophie und Demokratie im amerikanischen Pragmatismus und in der Systemtheorie. In Blinde Emergenz? : interdisziplinäre Beiträge zu Fragen kultureller Evolution (S. 163–178). Heidelberg: Synchron Wissenschaftsverlag der Autoren.
- Reinhart, W. (2000). It is but one turn in the road and I would be a cannibal : The Theme of Hansel and Gretel in Contemporary American Poems By Women. In Pioneering North America : Mediators of European Literature and Culture (S. 203 -212). Würzburg: Königshausen & Neumann.
- Kley, A. (1999). Fanny Lewalds : Meine Lebensgeschichte : Zwischen bürgerlicher Anpassung und emanzipatorischem Aufbruch. In Geschlecht – Literatur – Geschichte (S. 129–150). St. Ingbert: Röhrig.
- Reichardt, U. (1999). Pragmatism, time, and literature. In Pragmatism and literary studies (S. 257–279). Tübingen: Narr.
- Reinhart, W. (1998). Philip Wylie und Edwin Balmer: When Worlds Collide. In Der Science-Fiction-Roman in der angloamerikanischen Literatur : Interpretationen (S. ). Düsseldorf: Bagel.
- Halfmann, U. (1996). Die Tyrannei der Lesererwartung : Anmerkungen zu Rezeption und Edition von William Faulkners „Absalom, Absalom!“. In Expedition nach der Wahrheit : Poems, Essays, and Papers in Honour of Theo Stemmler (S. 567–584). Heidelberg: Carl Winter.
- Reichardt, U. (1995). The new historicism: history as process and narratives of emergence. In American studies in Germany: European contexts and intercultural relations (S. 68–76). Frankfurt am Main ; New York: Campus-Verl. ; St. Martin's Press.
- Reichardt, U. (1995). Writing the past: history, fiction, and subjectivity in two recent novels about slavery. In The historical and political turn in literary studies (S. 283–298). Tübingen: Narr.
- Reichardt, U. (2017). Theories of the global, global literature, and American literature in a globalizing age. In , (S. 35–53). Review of international American studies : RIAS, IASA: Cambridge, MA.
- Motyl, K. (2011). No longer a promised land – the Arab and Muslim experience in the U.S after 9/
11. In , States of emergency – states of crisis : [International Graduate Conference „States of Emergency: Interdisciplinary Perspectives on the Dynamics of Crisis“ ... Berlin in June 2010] (S. 217–235). REAL : yearbook of research in English and American literature, Narr: Tübingen. - Reichardt, U. (2007). Complexity – a truly transdisciplinary concept? In , The body as interface: dialogues between the disciplines : [based on a conference ...took place at the Rheinische Friedrich-Wilhelms-Universität Bonn from 24 to 26 June 2003] (S. 119–128). American Studies, Universitätsverlag Winter: Heidelberg.
- Reichardt, U. (2007). Sounds in time-space: John Cage und die Komposition als Prozess. In , Dialoge zwischen Amerika und Europa : Transatlantische Perspektiven in Philosophie, Literatur, Kunst und Musik (S. 257–272). Kultur und Erkenntnis, Francke: Tübingen ; Basel.
- Reichardt, U. (2000). Hybridity, time, and recursivity. In , Crossover: cultural hybridity in ethnicity, gender, ethics : [proceedings of the Symposium „Hybrid Texts“ at the English Department of the University of Basel, June 13 – 14, 1998] (S. 13–21). Stauffenburg discussion, Stauffenburg-Verl.: Tübingen.
- Reichardt, U. (2020). Dmitri Shostakovich's Leningrad Symphony: Destruction, resistance, and the meaning of music. CFP : Groove the city 2020 – constructing and deconstructing urban spaces through music, Lüneburg, Germany.
- Reichardt, U. (2020). Sentience, artificial intelligence, and human enhancement in US-American fiction and film: thinking with and without consciousness. Artificial Intelligence and Human Enhancement : affirmative and critical approaches in literature, film, and philosophy on both sides of the Atlantic : October 29–31, 2020, Austrian Academy of Sciences ÖAW, Vienna, Austria.
- Reichardt, U. (2019). Die Geschichte der Sklaverei als dialogische Rekonstruktion : William Faulkners „Absalom, Absalom!“. ModerneKrisenLiteratur – das 20. Jahrhundert, Universität Heidelberg.
- Reichardt, U. (2019). Reconsidering agency and choice: the office, the wall, and the tax code (Herman Melville and David Foster Wallace). IASA (09. : 2019), Alcalá de Hernares, Spain.
- Reichardt, U. (2019). The quantified self and self-observation in cultural context. Quantified Self, Salem, MA.
- Steinhilber, D. (2019). More than just ball hairs – succeeding postmodern irony in Netflix's American Vandal and David Foster Wallace's Infinite Jest. New Sincerity: Self-Expression in North American Culture, Jena, Germany.
- Reichardt, U. (2018). The Blues as Trope, Form, Existential Figure ande Sound: Literary Criticism, Fiction and Poetry, and Billie Holiday's Strange Fruit. Blues in the 21st Century: Myth, Social Expression and Transculturalism, Catania, Italy.
- Reichardt, U. (2018). Winning isn't everything, it's the only thing. Wettbewerb und Spekulation in der US-amerikanischen Literatur und im Film. Ethik und Wettbewerbsfähigkeit in der digitalen Welt. 11. Forum: Menschenwürdige Wirtschaftsordnung : Ethik und Wettbewerbsfähigkeit in der digitalen Welt, Tutzing, Germany.
- Steinhilber, D. (2018). A 'Trinity of you and I into we': Joycean consubstantiality and the (ghostly) return of the author in Infinite Jest. International Conference David Foster Wallace Between Philosophy and Literature, Pescara, Italy.
- Steinhilber, D. (2018). David Foster Wallace and the solipsism of the quantified self: Digitally deformed bodies in Infinite Jest's entertainment industry. International Conference: Laboring Bodies and the Quantified Self, Mannheim, Germany.
- Steinhilber, D. (2018). Infinite Jest and the Ulyssean tradition – modernist aims with postmodernist means. DFW 2018 : 5th David Foster Wallace Conference on Contemporary Literature and Culture, Normal, IL.
- Steinhilber, D. (2018). Structural dissent – the turn away from a half-century of turns in American post-boomer fiction and literary studies. American Cultures of Dissent : American Studies Leipzig Graduate Conference, Leipzig, Germany.
- Reichardt, U. (2017). Money... is more mental than metal: Representations of money, masculinity, and time in US-American fiction. The ecstasy of gold: The good, the bad and the ugly of money : Ringvorlesung, J.F. Kennedy Institute, Freie Universität Berlin, Germany.
- Reichardt, U. (2017). Music, human, and non-human times: theoretical observations and fictional investigations. SLSA 2017, Annual Meeting, Tempe, Arizona, AZ, USA.
- Steinhilber, D. (2017). The perils of self-consciousness: Kleist’s 'Über das Marionettentheater' in DFW’s Infinite Jest. Northeast Modern Language Association 48th Annual Convention : David Foster Wallace and the Fiction of the World, Baltimore, MD.
- Reichardt, U. (2016). Control, the quantified self-movement, and contemporary fiction: Zero and The Circle. Control, Stockholm, Sweden.
- Reichardt, U. (2016). Innovation and tradition: scale and emergence in Richard Power's The gold bug variations. „The emergence of the new“ : a symposium in honor of Heinz Ickstadt, Berlin, Germany.
- Reichardt, U. (2016). Sklaverei, Freiheit und Eigentum: Zur Auseinandersetzung über die Sklaverei in der US-amerikanischen Literatur des 19. Jahrhunderts. Collegium Generale – Sklaverei und Recht: Zwischen römischem Recht und der Neuen Welt, Universität Bern, Schloss Münchenwiler bei Murten, Swiss.
- Reichardt, U. (2016). The quantified self. 5. Theaterfestival Schwindelfrei: 2066, Mannheim.
- Reichardt, U. (2016). Theodore Dreiser's Sister Carrie: Quantifying the self, money, and posthumanism. Internationales Symposium „Revisionist Approaches to American Realism and Naturalism“, Germersheim, Germany.
- Reichardt, U. (2015). Bureaucracy, post/
humanism, and the de/ formation of the self: Kafka, Herman Melville's Bartleby the scrivener and David Foster Wallace's The pale king. Approaching posthumanism and the posthuman, Genf, Switzerland. - Reichardt, U. (2015). Scale, pattern, and emergence: music and science in Richard Powers's The Gold Bug Variations. SLSAeu Conference 2015 : Scale, Malta, Malta.
- Reichardt, U. (2015). Sounding the African Americas: music and knowledge. International American Studies Association 7th World Congress „Constellating Americas“ : Exchanges and changes beyond transnationalism, Seoul, Korea.
- Reichardt, U. (2014). African American music in the Americas-slavery, sounds, and forms of „knowledge“.
De/
colonization in the Americas: continuity and change, IAS Conference, Lima, Peru. - Reichardt, U. (2014). Introductory remarks. Internationaler Workshop zu „Posthuman Perspectives“, Mannheim, Germany.
- Reichardt, U. (2014). World wide me. Theaterfest Schwindelfrei: World Wide Me, Mannheim.
- Reichardt, U. (2013). Aesthetic forms and the concept of the individual: transcultural mobility, adaptation, and reinterpretation within a global network. (Trans)cultural mobility: traveling ideas, images, sounds, texts in the Americas, Bielefeld, Germany.
- Reichardt, U. (2013). Globalisierung. 8. Kasseler Jugendsymposium „Menschheit“, Kassel, Germany.
- Reichardt, U. (2013). Individualismus und kollektive Formen in globalen Medienwelten: Repräsentationen / Kategorien / Konzeptionen. total. Universalismus und Partikularismus in postkolonialer Medientheorie, Braunschweig, Germany.
- Reichardt, U. (2013). Knowledge ecologies and cultural presuppositions in the production of knowledge: Starting with the individual. Knowledge Ecologies North America: from metaphor to method, an interdisciplinary and international symposium, Bonn, Germany.
- Reichardt, U. (2013). The American conception of the individual across the oceans and within globalization. Oceans Apart: in Search of nNw Wor(l)ds, IASA 6th World Congress, Szczecin, Poland.
- Reichardt, U. (2012). Panel on the American Elections. Panel on the American Elections, Mannheim, Germany.