
Dr. Sina Schuhmaier
Anglistik II
L 10, 11–12 – Room 317
68161 Mannheim
after registration by e-mail
Research
Dr Sina Schuhmaier’s research spans the fields of postcolonial studies, cultural studies, material ecocriticism, and the medical humanities. Her postdoctoral research project investigates representations of contagious disease in the context of the British empire. She is currently studying depictions of disease during the transatlantic slave trade, literary and non-fictional, and she acquired funding to conduct archival research in different archives in London in the summer of 2025. Her article “Subject Formation in the Early Black Atlantic: Disease Narratives of the Middle Passage” (PDF) was awarded the 2025 BSLS and JLS essay prize.
Her first monograph Changing the Record: Englishness, Popular Music, and the Song Lyric in the 21st Century, to be published with Routledge, examines contemporary British song lyrics, bringing into dialogue the fields of literary studies and popular music studies. Against the backdrop of the dominant discourse of the nation in the age of Brexit, the book sheds light on the cultural functioning of the song lyric and contributes to the growing field of critical Englishness studies.
Further research interests include:
- British landscape representations, contemporary nature writing, and the pastoral (see here for the 2024 “Re-Reading Landscapes” conference)
- Black British literature
- literary critiques of capitalism and neoliberalism (see here for the co-edited collection Literarische Perspektiven auf den Kapitalismus)
Biographic Information
Dr Sina Schuhmaier is an academic staff member at the Chair of English Literary and Cultural Studies (A II). She studied English studies at the Universities of Heidelberg and Nottingham and completed the Master programme “Modern Literature, Media, and Culture” at the University of Mannheim in 2017. She submitted her PhD thesis on “Dominant and Dissonant Discourses of the Nation: Pop Music, the Song Lyric, and Englishness in the 21st Century” in September 2023. In spring 2022, she spent a three-month research visit as a PhD student at the University of Bristol. Since 2023, Sina has been co-coordinating the “Reading List 2.0.”
Teaching
Dr Sina Schuhmaier’s teaching comprises Anglophone literature from different periods, with a focus on contemporary British literature and postcolonial literature. Her courses cover novels, short stories, and poetry, as well as multimedial forms such as the song lyric or the TV series. Students acquire an understanding of literature as a medium of cultural self-reflection, which negotiates, amongst other things, discourses of the body, nation, empire, and identity.
Publications
- Schuhmaier, S. (2025). Immigrant Experience and Irish Literature: Melatu Uche Okorie's This Hostel Life. Review of Irish Studies in Europe : RISE, 7, 50–65.
- Schuhmaier, S. (2025). Subject Formation in the Early Black Atlantic: Disease Narratives of the Middle Passage. Journal of Literature and Science, 18, 1–10.
- Schuhmaier, S. (2024). National identity, race, and grime: Rethinking the margins of englishness. Journal for the Study of British Cultures : JSBC, 31, 77–93.
- Schuhmaier, S. (2023). Class and the middle-class novel: Jonathan Coe's Trotter-Trilogy. Anglistik, 34, 113–123.
- Schuhmaier, S. (2025). The Middle Passage as a disease (non-)narrative. The British Society for Literature and Science 20th Anniversary Conference, Lancaster, UK.
- Schuhmaier, S. (2024). "'[L]ife and death all innertwined': PJ Harvey, Nation, and Landscape”. IASPM UK and Ireland Conference: Place, Perspective and Popular Music, Newcastle, United Kingdom.
- Schuhmaier, S. (2024). “Englishness, Nostalgia, and the Lost Futures of British Popular Music”. “Welcome to Retrotopia? Placing Visions of ‘Britishness’ in the Long Twentieth Century”, Eichstätt und Ingolstadt, Germany.
- Schuhmaier, S. (2024). 'Colonial disease' and the 'material turn': Pathogens in late Victorian short fiction. International Conference of Three Societies on Literature and Science, Birmingham, United Kingdom.
- Schuhmaier, S. (2024). Walking and talking: Postcolonial reconfigurations of the British countryside.
GAPS 2024: Post/
Colonial Environments, Zürich, Switzerland. - Schuhmaier, S. (2023). PJ Harvey's lyrical lyrics: The incantatory mode of “Let England Shake” (2011). Musiklit23, Probing the Borderland Between Popular Music and Literature, Reims, France.
- Schuhmaier, S. (2022). “There was no other ending to the story”: Unexpected turns and fragile gender positions in Leone Ross' Short Stories. Common Threads: Black and Asian British Women’s Writing, International Conference, Brighton.
- Schuhmaier, S. (2022). “This ain't no RP cup of tea music”: Grime's Britishness. BritCult 2022, Annual Conference of the German Association for the Study of British Cultures, British Identities Medialised, Salzburg, Austria.
- Schuhmaier, S. (2022). Decentring Irish nationalist discourse: Immigrant experience in Melatu Uche Okorie's This Hostel Life (2018). International Workshop on Contemporary Irish Literature: New Voices – New Directions, Leipzig.
- Schuhmaier, S. (2021). Competing Stories: On the 'Englishness' of British Popular Music. Eighty Years of “The Lion and the Unicorn”: Society and Identity in Great Britain since World War II, Konstanz, Germany, Online.
- Schuhmaier, S. (2021). Jonathan Coe's Middle England, or, A picture of the English middle class.
British 'Fictions of Class' since 1945 – Revitalising Class in the Twenty-First Century, Siegen/
online. - Schuhmaier, S. (2019). “New Britannia cool / Who are you trying to fool?” The 'Cool' of British popular music and Brexit. Britain in Transition: Brexit and Beyond, International Conference, Berlin, Germany.
- Schuhmaier, S. (2019). Revising the 'Island Story': Kano's Made in the Manor (2016) as postcolonial punctuation.
7. Postgraduate Forum Postcolonial Narrations: Postcolonial Punctuation/
s: Demarcations, Interventions, Transgression, Münster, Germany. - Schuhmaier, S. (2018). “But the Albion sails on course”: Latent nationalism in 21st century song lyrics. Writing, the State, and the Rise of Neo-Nationalism: Historical Contexts and Contemporary Concerns, London, UK.
- Schuhmaier, S. (2018). “Goddam' Europeans! Take me back to beautiful England”: 'England' in contemporary British song lyrics. GAPS Conference 2018, Mainz, Germany.
- Schuhmaier, S. (2018). The nature, formation and value of community: Reflections on a contested concept. First Heidelberg Graduate Student Conference in English Studies, Heidelberg.
- Schuhmaier, S. (2016). What's in a person? Limits of quantification in Lottie Moggach’s Kiss Me First. Student Conference: What is Real? The Interdependence of Identity and Media in Contemporary British Novels, Mannheim.
- Gonnermann, A., Schuhmaier, S. and Schwander, L. (eds.) (2021). Literarische Perspektiven auf den Kapitalismus : Fallbeispiele aus dem 21. Jahrhundert. Tübingen: Narr Francke Attempto.
- Gonnermann, A., Schuhmaier, S. and Schwander, L. (2021). Zur Thematik und Aktualität dieses Bandes. In Literarische Perspektiven auf den Kapitalismus : Fallbeispiele aus dem 21. Jahrhundert (S. 9–20). Tübingen: Narr Francke Attempto.
- Schuhmaier, S. (2021). Singing the nation: The condition of Englishness in the lyrics of PJ Harvey and Kate Tempest. In Nationalism and the postcolonial (S. 92–108). Leiden ; Boston: Brill.
- Schuhmaier, S. (2021). Wert und Werte im Kapitalismus: Die Songtexte Kae Tempests und Kanos. In Literarische Perspektiven auf den Kapitalismus : Fallbeispiele aus dem 21. Jahrhundert (S. 139–164). Tübingen: Narr Francke Attempto.
- Schuhmaier, S. (2019). Tommy Shelby's modern family business: The ethics of community in Peaky Blinders (2013-). In Community, seriality and the State of the Nation : British and Irish television series in the 21st century (S. 27–50). Tübingen: Narr Francke Attempto.